15 November 2014 @ 08:28 am
 
Now that I've posted those plot notes, I realize my inner-critique REALLY turns on when I know something is public, is semi-public, and under the scrutiny of others. All I can think of since I posted that is that maybe the chessboard is the blockiest, least sophisticated symbol for Erik's conspiracy to capture her mind, body, and soul, and I should be ashamed!

I mean, I had a couple other things in mind, like that Erik really wouldn't seem to be giving the game much thought - he would end up winning because Lily probably sucks at it, and I don't even think it brings him any amount of joy that he check-mated her She notices this, too, and is even more attracted by how effortlessly he stays clever and alert and decisive. Also, she would notice the way her epic loss has no effect on his immense respect for her, even while he expresses it at a distance and is careful not to speak of it too much. He sort of acts like a servant to her, walking her there, ushering her about the building, taking off/putting on her coat, etc. etc. etc.

I do feel there's something missing, though... Some clear sign that they have entered a pact, but I don't know what it would be. It's still a long time before he starts giving her gifts. I'm thinking that, once again, I must pick up The Phantom of the Opera and give it another read.

*sigh*

It would be interesting to see incorporated some adaptation suitable for this story of the deal Erik and Christine make in the book, after she's seen his face, after he's held her hostage for a couple of days in a room with no door from the inside. "I knew that if you saw what I really looked like," (this is not a real quote btw, this is me paraphrasing) "you would stop wanting to see me, you would stop visiting me again and again as you have." And of course, the classic (which IS a fairly direct quote, though the book isn't in front of me): "When a woman has seen me as you have, she belongs to me."

However, this is too far ahead in their relationship. I need to think of a smaller thing that Erik does which emphasizes the bond they forged before she ripped his mask off, when she was indeed attracted to him but could barely even admit it to herself. I mean there is some heavy stuff in that book! She has such a transcendental experience singing with him that she says she'd be content dying with his image and voice as the last things she experiences.

What's so ironic and weird about this is that she had to have some idea that he chloroformed her in order to get her through the tunnels in a non-hysterical state. Even if she can't remember, she lost pieces of time.

Anyway, gotta go to work.
 
 
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cloudsinvenice[personal profile] cloudsinvenice on November 15th, 2014 08:39 pm (UTC)
R here...
I don't know; chess has been overdone a bit...
How about - I'm thinking of that 'trust' game where you blindfold someone, and they let themselves fall backwards, and you catch them. Something like that. Or that he blindfolds her to take her to a really pretty spot - and there's a bit on their way where he suddenly is silent, and she goes "where are you?" and he's snuck to her other side, something like that. It could really be a 'set piece', one of those big moments in the book, which encapsulates the whole in a microcosmos.
Taking her blindfold off is than mirrored later when she takes his mask off.
[identity profile] ladybows-fs.livejournal.com on November 15th, 2014 09:36 pm (UTC)
You just gave me an idea!
He could tell her to close her eyes BEFORE they enter the building and lead her to the chair in the middle of the setup on the stage. And then she opens her eyes and sees how everything seems to be centered around and leading to her, and "Erik" is across the way, at the bookshelf. I just *really* suspect there'd be something Lily distracted herself with. If not a chessboard, which seems like a possible piece to be in storage... what? And, if not a game, it must still be something that draws "Erik" over because he finds a reason to interact more closely with her.
cloudsinvenice[personal profile] cloudsinvenice on November 15th, 2014 09:50 pm (UTC)
R again...
If you do it blindfold, not merely 'close your eyes' then it's more ceremonial, leading up to the "tadaaah!" set piece of the chair on the stage; a bit of a journey. Make it (blindfolded) a vulnerable moment for her, in which she implies "I trust you".
A suggests what can draw him in closer to interact instead of a chess board is one of those old toy cardboard theatres.
http://upload.wikimedia.org/wikipedia/commons/d/d1/Toy_theatre_%28c.1845-50%29%2C_Edinburgh_Museum_of_Childhood.JPG

That sort of thing. With that, you can then add another layering; what they play in the theatre.